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Eye to I

Coming to Albuquerque Museum in July 2020, Self-portraits from the National Portrait Gallery featuring works by Thomas Hart Benton, Fritz Scholder, Chuck Close, Alice Neel, and many more.

Eye to I: Self-Portraits from 1900 to Today

July 11–September 20, 2020

Thomas Hart Benton 
1889 – 1975
Self-Portrait with Rita
c. 1924
Oil on canvas

National Portrait Gallery, Smithsonian Institution; gift of Mr. and Mrs. Jack H. Mooney
NPG.75.30

Thomas Hart Benton, 1889 – 1975, Self-Portrait with Rita, c. 1924, oil on canvas, National Portrait Gallery, Smithsonian Institution; gift of Mr. and Mrs. Jack H. Mooney, NPG.75.30

María Magdalena Campos-Pons 
born 1959
Untitled from the series When I am not Here, Estoy alla
1996
Dye diffusion transfer print

National Portrait Gallery, Smithsonian Institution; gift of Julia P. and Horacio Herzberg
C/NPG.2017.122

María Magdalena Campos-Pons, born 1959, Untitled from the series When I am not Here, Estoy alla, 1996, dye diffusion transfer print, National Portrait Gallery, Smithsonian Institution; gift of Julia P. and Horacio Herzberg, C/NPG.2017.122

National Portrait Gallery logo

The exhibition has been organized by the Smithsonian's National Portrait Gallery, Washington, D.C. and supported in part by Mr. and Mrs. Michael H. Podell.

 

The exhibition will be on view in Gallery 7.

Details subject to change.

 

At a time when countless “selfies” are being posted on social media channels and identity is proving to be more and more fluid, the exhibition presents a sampling of how artists have approached the exploration of representation and self-depiction through portraiture. With each self-portrait, artists either reaffirm or rebel against a sense of identity that links the eye to “I.” Drawing from the National Portrait Gallery’s vast collection, Eye to I will examine how artists in the United States have chosen to portray themselves since the beginning of the last century.

Eye to I features 60 works in a variety of styles and media ranging from caricatures to photographs, from colorful watercolors to dramatic paintings and time-based media. The exhibition will trace the process through which select artistic practices have transitioned from gazing into the mirror to looking into the camera; from painted, drawn surfaces to mechanical reproductions such as prints and photographs; from static forms to video. Artworks to be included in the exhibition span the art historical timeline from 1901 to today. Early works will include self-portraits of Edward Steichen, Alexander Calder, and composer George Gershwin, who was also a painter. More recent self-portraits include a video work by Ana Mendieta, and work in a variety of media by Chuck Close, Lois Dodd, Maria Magdalena Campos-Pons and Alison Saar, as well as a large-scale painting by Roger Shimomura, Shimomura Crossing the Delaware. 

“Individuals featured in Eye to I have approached self-portraiture at various points in history, under unique circumstances, and using different tools, but their representations—especially when seen together—all raise important questions about self-perception and self-reflection,” says Brandon Brame Fortune, chief curator, Smithsonian’s National Portrait Gallery. “Some artists reveal intimate details of their inner lives through self-portraiture, while others use the genre to obfuscate their private selves or invent alter egos.”

Featured in Eye to I will be self-portraits by prominent figures in the history of portraiture, including Robert Arneson, Thomas Hart Benton, Alexander Calder, Jasper Johns, Allan Kaprow, Deborah Kass, Elaine de Kooning, Jacob Lawrence, Louise Nevelson, Irving Penn, Robert Rauschenberg, Fritz Scholder, Roger Shimomura, Edward Steichen, and many more.

PUBLICATION

Eye to I: Self-Portraits from the National Portrait Gallery has a richly illustrated companion volume that features an introduction by Brandon Brame Fortune and nearly 150 insightful entries on key self-portraits in the museum's collection. The book was published by the National Portrait Gallery, in association with Hirmer Publishers (2019). 336 pages. 175 color plates. 7 x 9 in. Hardcover. $45.00. Distributed by the University of Chicago Press.