images
Carlo Mense, Double-Portrait (Rabbi S. and Daughter), ca. 1925–1926
Carlo Mense, Double-Portrait (Rabbi S. and Daughter), ca. 1925–1926
Cara Romero, Naomi, 2017, archival pigment print @ Cara Romero and Lindy Vision, photo by Katrina Cuylear
Composite images representing exhibitions on view at the Museum. First image at far right is Sonja from "Modern Art and Politics in Germany 1910-1945"; second image is a hand-colored postcard of the Albuquerque Special Collections Library which is an adobe structure with a lawn and cobblestone pathway to the entrance; the third image is of a Lyonel Feininger painting of an abstract cityscape with repeated geometric patterns of roofs; the fourth and last image is of two women in black garments under a body of teal-colored water holding plant clippings facing the water surface with the photograph taken below them.
A collage of multiple artworks, including: Portrait of a woman with dark hair and bangs wearing a black top, seated indoors with a neutral expression. A large adobe-style building with a flat roof and multiple windows, surrounded by green lawns and trees under a blue sky. Abstract geometric painting featuring overlapping shapes and muted earth tones, resembling a fragmented cityscape. Surreal underwater scene showing a person floating with bubbles and light filtering through the water above.
Museum gallery image of a space painted gray with a central bronze sculpture of a nude male on a rectangular pedestal and paintings on the wall behind it with multiple people pointing at the sculpture and speaking with one another.
Performance of a singer and keyboardist on stage with the backs of patrons at round tables.
A small group of children are looking at a painting in the Museum hallway with a guide pointing out the significance of the work.
people viewing artworks in a Museum gallery with the space painted blue and a woman wearing a hat seated on a bench in the foreground.
A group of people wearing orange sarongs, tops and dresses are performing at the Museum entrance with an audience ringing around them.
A close-up of a black and white photograph of two people with Virgin Mary-inspired tattoos on their backs.
Gazebo structure illuminated at dusk with string lights, garlands and a series of paper bags- farolitos- illuminated from the interior with portions of a church facade illuminated in the far right background.
A woman and man stand on the tarmac outside the Albuquerque Airport looking at the nose of an airplane.
A girl, whose black hair covers her face, sits in a cement tunnel covered in colorful graffiti.
