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Indelible Blue: Indigo Across the Globe. Chiyoko Tanaka; 59cht Grinded Fabric - Three Squares Blue Threads and Blu #689; 2005; handwoven, ground fabric (raw linen, ramie)- rubbed with white stone, pencil drawing; 19 1/4 x 44 1/4 x 2 1/4 in., image courtesy of browngrotta arts
The Designing the New: Charles Rennie Mackintosh and the Glasgow Style banner featuring the exhibition title and an artwork from the exhibition featuring a woman surrounded by a decorative frame.
A wooden bookshelves holding three digital photo displays with photos of smiling Black families.
A portion of the wall-decal timeline for City leadership, featuring photos from Albuquerque's leadership history.
City Leadership History Project tile for 1891 featuring a black and white vintage photo of a man standing on a dirt road lined with small buildings.
A portion of the wall-decal timeline for City leadership, featuring photos from Albuquerque's leadership history.
A arts and craft calendar for New Year's Eve Before Dark 2022.
Barbara Bock, Untitled “Remnant”, ca. 1970s, folded paper, Albuquerque Museum, gift of the artist, PC2019.56.1. Papercentric 2022
The main entry area of the exhibition of the Printer's Proof. Photo by Nora Vanesky 2022
The title logo and sign area for the Focus on Youth gallery with a group of three people observing an artwork. Photo by Nora Vanesky 2022
The Focus on Youth logo featuring an open lens for the "O" in Focus.
Lee Marmon, Acoma Mission Bell, 1985, gelatin silver print, #2000-017-0031, Center for Southwest Research, University of New Mexico
Lee Marmon, White Man’s Moccasins, 1954, gelatin silver print, Albuquerque Museum, gift of Cate Stetson, PC2021.72.28
Alfredo Ramos Martínez (Mexican, 1871–1946), La Malinche (Young Girl of Yalala, Oaxaca), 1940. Oil paint on canvas; 50 x 40 1/2 in. Phoenix Art Museum: Museum purchase with funds provided by the Friends of Mexican Art, 1979.86. © The Alfredo Ramos Martínez Research Project, reproduced by permission
