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Black and white headshot photograph of the artist, Guadalupe Maravilla, in front of one of his gongs.
Logos of the funders who have made this exhibition possible: Andy Warhol Foundation for the Visual Arts, National Endowment for the Arts, WESTAF, Frederick Hammersley Fund for the Arts, the City of Albuquerque, and the Albuquerque Museum Foundation.
Photograph of an adult male standing with scissors cutting a piece of gold foil with two younger males seated at either side also cutting foil and using a hole puncher in an artmaking workshop at the museum. Tables with other participants are in the background.
Photo of a brightly painted three-panel painted door with the head of Lady Liberty on a blue background and her torch oriented sideways in the middle panel and the American flag taking up the entire surface area of the third panel with the title of this work written on two of the white stripes on the flag: "Abra La Puerta" on one line which translates to "Open the Door" and below it "A Todas Las Familias" which translates to "For All the Families."
A collage of three different pieces, including a black and white photo of a road with cars, horses, and a railroad track running through the middle, a painting of three people, and a modern geometric artwork.
Photo of six seated people on a stage during a conversation about the newly opened exhibition, “Broken Boxes: A Decade of Art, Action and Dialogue.” From left to right, Ginger Dunnill, Co-Curator of the exhibition and founder of the Broken Boxes podcast, on which the show is based; Canupa Hanska Luger; Amaryllis R. Flowers; Tanya Aguiñiga, Guadalupe Maravilla, and Jeremy Dennis. The other five people are the participating artists in the show and who have been featured on the Broken Boxes podcast.
Photo of four girls seated at a rectangular table working on a textile art activity and looking at one another.
Photo of the front entrance of the museum with a tree in the left foreground and six people walking towards the front doors.
Photo of Tsedaye Makonnen’s installation of two royal blue textiles embellished with an ornate pattern of reflective glass and a mannequin wearing another version of the same in front of a video screen depicting the artist draped in the textile in an outdoor performance.
Photo of two Native American men talking outdoors shown from the waist up with some smoke effects rising from the bottom towards the upper right.
Photo of a man in a museum gallery pointing at a painting with another painting behind him.
Museum collection photo of the front of a woven wallet with zigzag patterns and stripe patterns made from handloomed wool in burgundy, red, cream and black. Silver fastener at the bottom incised with a decorative pattern and an arrow in the center.
Photo of a dark leather strap embellished with three round designs with rays projecting from the center all inlaid with blue turquoise and round embossed silver studs at each point.
Carved depiction of a view from the driver's and passenger's seat of a car made of bright orange panted wood. Inside the orange framed windshield is a painted image of the road. The rearview mirror contains a triangle with an eye in the center and a rosary hanging below. Two carved figures sit on the dashboard under the rearview mirror. The steering wheel is depicted as a crown of thorns-the thorns made up of nails and in the center of the wheel is a flaming heart.
Black and white photo of a brick building storefront with an awning stating in Spanish "La Tienda Mas Barata en Albuquerque" translating to "The Most Affordable Store in Albuquerque" with two men and a woman standing underneath on the sidewalk. Above the awning are two identical signs identifying the store as "The Progress - Dry Goods & Notions".
Photo of a brightly painted three-panel painted door with the head of Lady Liberty on a blue background and her torch oriented sideways in the middle panel and the American flag taking up the entire surface area of the third panel with the title of this work written on two of the white stripes on the flag: "Abra La Puerta" on one line which translates to "Open the Door" and below it "A Todas Las Familias" which translates to "For All the Families."
Composite image of women from the Albuquerque Chinese Folk Dance Ensemble in red traditional outfits performing a dance in the street in front of the Chinese Culture Center on Chinese New Year on the left, and a black and white photograph of a single person at the top of a desert cliff with his back to the viewer.
Color photo of a brown adobe house with a wooden ladder leaning against it to the right of an open door and a several stems of bright pink hollyhock in early bloom in the left foreground.
Photograph of a female Museum curator leading a tour in a gallery of painted doors with two other colleagues seen in between the doors.
